Carsten Pieper
One long piece of electronic music with an interesting story: It came to life in a !sequential" collaboration by The Laconic aka Marc Pelath and Kid Arrow who seems to be a kind of alter ego of Markus Reuter. As the piece evolves so do the sounds/instruments/devices used in it, that progress from very old ones (starting in the 1940s) to current, nowadays technology.
Time and Tide was conceived in January 2023, on the road from Milan to Solferino, just before the production of Amor Fati. Kid Arrow raised the possibility of accepting commissions for albums, allowing for varying degrees of involvement on the commissioner's part.
I imagined a new kind of creative challenge, one in which I would have essential, minimal input into the composition, but otherwise no direct responsibility for it, leaving me to focus on the instrumentation and arrangement, perhaps adding parts of my own.
Later that year, I composed seeds for his process. (Following his own vision, those same seeds grew into the very-different but very-cool Kid Arrow album New Fire.) I received the results in October 2023, in the form of a small set of long and complex MIDI files. It was my role to turn that data into sound.
To get started, I needed a concept, and so I decided to sketch the history of synthesis, including drum machines, from roughly 1940 (!) to present. The piece would start with what artists used (and still use) in that role — electric pianos, reed and tonewheel organs, and early Hammond synths (surprisingly, in the final version I used no Mellotron) — and then journey through Moog, Buchla, Roland, Yamaha, Korg, and others; subtractive, FM, wavetable and granular synthesis and sampling; hardware synths (or emulations thereof) and software (-only) synths, together ordered to yield a rough representation of the chronology. The musical structure I was given could be chopped up in many ways, and I settled on nine sections, roughly five minutes each, each corresponding to a different era, each having a character of its own. To emphasize this, I initially had the sections alternate between bright and dark timbres, although over time the contrasts became more nuanced, and the boundaries between sections less rigid.
Time and Tide is a musical journey from the past to the present, ebbing and flowing in mood. The sounds change over time, but the song remains the same, continuing the secondary theme of Amor Fati, eternal recurrence. Time and Tide is something novel, I think, and I hope you enjoy it nearly as much as I do.
credits
released January 2, 2024
Music by Marc Pelath and Kid Arrow
Composed by Kid Arrow
Arranged by Marc Pelath
Mixed and mastered by Erik Emil Eskildsen
Marc Pelath: synths (Ableton Live; Arturia V Collection, Pigments, and Augmented series; Korg Collection; Roland Cloud; NI Kontakt and FM8; Vital, Sugar Bytes Aparillo, and Newfangled Audio Generate), U8 touch guitar, bass guitar, and drum programming
Juan Dahmen: drum loops
The Laconic is an entity created by composer-musician Marc Pelath, whose mission is to make evocative, eclectic, instrumental, arrière-garde, epic AF post-prog music.
This is a quite outstanding opus magnus of Mr Thelen and his associate musicians. Musical and muscular prowess meet groove and melody. Highly recommended hypnotic stuff! Frank Hadlich
Another stellar release from this long-lived ensemble. Though the King Crimson influence is obvious & that comparison unavoidable, these guys have made many great recordings that can't be categorized as 'mere copies'. The perfect balance of aggressive riffing and serene soundscapes. Stephen Roberts